You Dont Know What Love Is Lyrics Billie Holiday

Lady in Satin Album

Artist(southward): Billie Holiday

Cover Art

Tracklist

I'm a Fool to Desire Yous

length: 3:26
bass: Milt Hinton
piano: Mal Waldron
trumpet: Bernie Glow, Billy Butterfield and Mel Davis
drums (pulsate set): Osie Johnson
background vocals: Elise Bretton and Miriam Workman
bass trombone: Tom Mitchell
cello: Maurice Dark-brown and David Soyer
usher: Ray Ellis
flute: Romeo Penque, Phil Bodner, Danny Banking concern and Thomas Parshley
guitar: Barry Galbraith
harp: Janet Putman
lead vocals: Billie Holiday
orchestra: Ray Ellis and His Orchestra
solo trombone: Urbie Greenish
trombone: Jack Green and J.J. Johnson
viola: Sidney Brecher and Richard Dickler
violin: Emanuel Green, George Ockner, Sam Rand, Milton Lomask, Leo Kruczek, Harry Melnikoff, Harry Katzman and Harry Hoffman
writer: Frank Sinatra, Joel Herron, Jack Wolf, Frank Sinatra, Joel Herron, Jack Wolf

I'thou a fool to want you
I'thousand a fool to want you
To want a love that can't be truthful
A love that's at that place for others too

I'1000 a fool to hold you
Such a fool to hold you
To seek a kiss not mine solitary
To share a kiss that Devil has known

Time and time again I said I'd leave you
Fourth dimension and time over again I went abroad
But so would come the time when I would need yous
And once more these words I had to say

Take me back, I love you lot
I demand yous
I know information technology'south wrong, it must be wrong
But correct or wrong I tin't go along

Without you

For Heaven's Sake

length: 3:26
piano: Mal Waldron
guitar: Barry Galbraith
bass: Milt Hinton
trombone: J.J. Johnson, Jack Light-green and Urbie Green
conductor: Ray Ellis
orchestra: Ray Ellis and His Orchestra
drums (drum gear up): Osie Johnson
pb vocals: Billie Holiday
background vocals: Elise Bretton and Miriam Workman
bass trombone: Tom Mitchell
cello: David Soyer and Maurice Brown
flute: Romeo Penque, Danny Bank, Thomas Parshley and Phil Bodner
harp: Janet Putman
trumpet: Baton Butterfield, Mel Davis and Bernie Glow
viola: Sidney Brecher and Richard Dickler
violin: Leo Kruczek, Harry Melnikoff, Harry Katzman, Milton Lomask, Harry Hoffman, Sam Rand, George Ockner and Emanuel Light-green

For heaven'southward sake let's fall in love
It's no mistake to phone call it love
An angel'south holding hands with me
How heavenly heaven tin be

Here is romance for us to try
Here is a risk nosotros tin't deny
While sky'due south giving the states a break
Let's fall in love for heaven's sake
Don't say a word my darling
Don't break the spell like this
But hold me tight; nosotros're solitary in the night
And sky is here with a buss

This pair of optics can see a star
So paradise tin can't be and so far
Since heaven's what we're dreaming of
For sky'due south sake, let's fall in love

You Don't Know What Love Is

length: iii:48
piano: Mal Waldron
guitar: Barry Galbraith
bass: Milt Hinton
trombone: Jack Light-green, J.J. Johnson and Urbie Green
usher: Ray Ellis
orchestra: Ray Ellis and His Orchestra
drums (pulsate fix): Osie Johnson
lead vocals: Billie Holiday
background vocals: Miriam Workman and Elise Bretton
bass trombone: Tom Mitchell
cello: Maurice Brown and David Soyer
flute: Thomas Parshley, Romeo Penque, Phil Bodner and Danny Depository financial institution
harp: Janet Putman
trumpet: Bernie Glow and Billy Butterfield
viola: Richard Dickler and Sidney Brecher
violin: Emanuel Green, George Ockner, Harry Hoffman, Harry Katzman, Harry Melnikoff, Leo Kruczek, Milton Lomask and Sam Rand
solo trumpet: Mel Davis

You don't know what love is
Until y'all've learned the meaning of the blues
Until you've loved a honey you've had to lose
Yous don't know what love is

You don't know how lips injure
Until you've kissed and had to pay the toll
Until you've flipped your heart and you have lost
You don't know what love is

I Become Along Without You Very Well

length: iii:02
conductor: Ray Ellis
background vocals: Miriam Workman and Elise Bretton
bass: Milt Hinton
bass trombone: Tom Mitchell
cello: Maurice Brownish and David Soyer
flute: Thomas Parshley, Danny Bank, Phil Bodner and Romeo Penque
guitar: Barry Galbraith
harp: Janet Putman
lead vocals: Billie Holiday
orchestra: Ray Ellis and His Orchestra
piano: Mal Waldron
solo trombone: J.J. Johnson
trombone: Jack Green and Urbie Dark-green
trumpet: Billy Butterfield, Mel Davis and Bernie Glow
viola: Richard Dickler and Sidney Brecher
violin: Sam Rand, George Ockner, Harry Hoffman, Harry Katzman, Harry Melnikoff, Leo Kruczek, Emanuel Light-green and Milton Lomask
drums (drum set): Osie Johnson
lyricist: Jane Brownish Thompson
composer: Hoagy Carmichael

I become forth without you very well
Of course, I do
Except when soft rains autumn
And drip from leaves
Then I recall
The thrill of existence sheltered in your arms
Of form, I exercise
Simply I go along without you very well

I've forgotten you lot just similar I should
Of course, I accept
Except to hear your proper name
Or someone's laugh that is the same
But I've forgotten you just similar I should

What a guy
What a fool am I
To call back my breaking center
Could kid the moon
What'due south in store
Should I phone once again
No, it's best that I stick to my melody

I get along without you very well
Of course, I do
Except perhaps in Spring
But I should never call up of Spring
For that would surely break my heart in ii

What'south in store
Should I phone once more
No, it'southward best that I stick to my tune

I get along without y'all very well
Of course, I do
Except perchance in Spring
But I should never think of Spring
For that would surely break my middle in two

For All We Know

length: ii:56
bass: Milt Hinton
piano: Mal Waldron
trumpet: Mel Davis, Bernie Glow and Billy Butterfield
drums (pulsate set): Osie Johnson
background vocals: Miriam Workman and Elise Bretton
bass trombone: Tom Mitchell
cello: David Soyer and Maurice Dark-brown
conductor: Ray Ellis
flute: Romeo Penque, Danny Banking concern, Phil Bodner and Thomas Parshley
guitar: Barry Galbraith
harp: Janet Putman
lead vocals: Billie Holiday
orchestra: Ray Ellis and His Orchestra
trombone: Urbie Green, Jack Green and J.J. Johnson
viola: Sidney Brecher and Richard Dickler
violin: George Ockner, Harry Hoffman, Harry Katzman, Harry Melnikoff, Leo Kruczek, Milton Lomask, Sam Rand and Emanuel Light-green
composer: J. Fred Coots
lyricist: Sam Thousand. Lewis

For all nosotros know
We may never run across once again
Earlier we go
Make this moment alive again
We won't say goodbye
Until the concluding minute
I'll hold out my hand
And my eye will exist in information technology

For all nosotros know
This might only be a dream
Nosotros come and we go
Like the ripples, like the ripples in the stream
So baby, love me, love me tonight
Tomorrow was made for some
Oh, but tomorrow
Just tomorrow may never, never come
For all we know
Yes, tomorrow may never, never come
For all nosotros know

Violets for Your Furs

length: 3:27
conductor: Ray Ellis
groundwork vocals: Elise Bretton and Miriam Workman
bass: Milt Hinton
bass trombone: Tom Mitchell
cello: David Soyer and Maurice Chocolate-brown
flute: Phil Bodner, Romeo Penque, Thomas Parshley and Danny Bank
guitar: Barry Galbraith
harp: Janet Putman
lead vocals: Billie Holiday
orchestra: Ray Ellis and His Orchestra
piano: Mal Waldron
trombone: J.J. Johnson, Urbie Greenish and Jack Green
trumpet: Mel Davis, Billy Butterfield and Bernie Glow
viola: Sidney Brecher and Richard Dickler
violin: Emanuel Light-green, George Ockner, Harry Hoffman, Harry Katzman, Harry Melnikoff, Leo Kruczek, Milton Lomask and Sam Rand
drums (drum set): Osie Johnson
composer: Matt Dennis
lyricist: Tom Adair

Falling snowflakes filled the air
The streets were covered with a film of water ice
But a picayune uncomplicated magic that I'd heard well-nigh somewhere
Changed the weather all around, simply inside a trice

Y'all bought me violets for my furs
And it was spring for a while, remember?
You bought me violets for my furs
And there was april in that december
The snow drifted on the flowers and melted where it lay
The snow looked like dew on the blossoms
Equally on a summer twenty-four hour period

You bought me violets for my furs
And in that location was blue in the wintry heaven
Yous pinned the violets to my furs
And gave a lift to the crowds passing past
You smiled at me and then sweetly
Since then one thought occurs
That nosotros fell in love completely
The day you lot bought me violets for my furs

You've Inverse

length: 3:twenty
conductor: Ray Ellis
background vocals: Elise Bretton and Miriam Workman
bass: Milt Hinton
bass trombone: Tom Mitchell
cello: David Soyer and Maurice Brown
flute: Romeo Penque, Danny Bank, Phil Bodner and Thomas Parshley
guitar: Barry Galbraith
harp: Janet Putman
lead vocals: Billie Holiday
orchestra: Ray Ellis and His Orchestra
pianoforte: Mal Waldron
trombone: J.J. Johnson, Jack Greenish and Urbie Light-green
trumpet: Billy Butterfield, Mel Davis and Bernie Glow
viola: Sidney Brecher and Richard Dickler
violin: Emanuel Green, Harry Hoffman, Harry Katzman, Harry Melnikoff, Leo Kruczek, Milton Lomask, Sam Rand and George Ockner
drums (drum set): Osie Johnson
lyricist: Beak Carey, Bill Carey
composer: Carl Fischer, Carl Fischer

I've an awfully feelling
That this thought that'south been a stealin through my encephalon
Is not to be ignored
Just to actually tell the truth
Though I'g not a well known sleuth
I honestly believe that you lot are bored
Yous've changed

That sparkle in your eyes is gone
Your smile is only a careless yawn
You're breaking my heart
You've inverse

Yous've changed
Your kisses at present are then blase
You're bored with me in every style
I can't empathize
You've changed
You lot've forgotten the words, "I love you"
Each memory that we've shared
You lot ignore every star higher up you
I can't realize you've ever cared
Yous've changed

You lot're not the angel I once knew
No demand to tell me what we're through
It's all over now
Y'all've changed

It'due south Easy to Call up

length: iv:03
bass: Milt Hinton
piano: Mal Waldron
trumpet: Bernie Glow, Mel Davis and Billy Butterfield
drums (drum set): Osie Johnson
groundwork vocals: Elise Bretton and Miriam Workman
bass trombone: Tom Mitchell
cello: Maurice Brown and David Soyer
usher: Ray Ellis
flute: Thomas Parshley, Romeo Penque, Phil Bodner and Danny Bank
guitar: Barry Galbraith
harp: Janet Putman
pb vocals: Billie Holiday
orchestra: Ray Ellis and His Orchestra
solo trombone: Urbie Dark-green
trombone: Jack Dark-green and J.J. Johnson
viola: Richard Dickler and Sidney Brecher
violin: Emanuel Green, George Ockner, Harry Hoffman, Harry Katzman, Harry Melnikoff, Leo Kruczek, Milton Lomask and Sam Rand
lyricist: Lorenz Hart
composer: Richard Rodgers

Your sweet expression, the smile you gave me
The way yous looked when we met
It'south piece of cake to remember but so hard to forget

I hear you whisper, I'll e'er love you
I know it'due south over and withal
It's piece of cake to recollect just then hard to forget

Then I must dream to have your manus cuddle me
Fingers printing me tight
I'd rather dream than accept that lonely feeling
Stealing through the night

Each picayune moment is clear before me
And though it brings me regret
It'south piece of cake to remember and and then hard to forget

So I must dream to have your manus cuddle me
Fingers press me tight
I'd rather dream than have that lonely feeling
Stealing through the nighttime

Each piddling moment is articulate before me
And though it brings me regret
It'south easy to remember and so difficult to forget

Merely Cute

length: 4:29
piano: Mal Waldron
guitar: Barry Galbraith
bass: Milt Hinton
trombone: Jack Green, Urbie Greenish and J.J. Johnson
conductor: Ray Ellis
orchestra: Ray Ellis and His Orchestra
drums (drum set): Osie Johnson
lead vocals: Billie Holiday
background vocals: Elise Bretton and Miriam Workman
bass trombone: Tom Mitchell
cello: David Soyer and Maurice Brown
flute: Danny Banking company, Phil Bodner, Thomas Parshley and Romeo Penque
harp: Janet Putman
trumpet: Bernie Glow and Billy Butterfield
viola: Sidney Brecher and Richard Dickler
violin: Harry Katzman, Harry Melnikoff, Leo Kruczek, Sam Rand, Milton Lomask, Emanuel Green, George Ockner and Harry Hoffman
solo trumpet: Mel Davis
lyricist: Johnny Shush
composer: Jimmy Van Heusen

Dearest is funny or information technology's sorry
Or it'southward quit or it's mad
Information technology'south a expert thing or information technology's bad

Simply beautiful
Cute to have a run a risk and if yous fall, you autumn
And I'k thinking I wouldn't listen at all
Honey is tearful or it'southward gay
It's a problem or it'due south a play
It's heartache either way

But beautiful
And I'one thousand thinking if y'all were mine
I'd never let y'all become
And that would be
But cute
I know
Love is beautifull
I know

Glad to Be Unhappy

length: 4:10
conductor: Ray Ellis
background vocals: Miriam Workman and Elise Bretton
bass: Milt Hinton
bass trombone: Tom Mitchell
cello: Maurice Brownish and David Soyer
flute: Thomas Parshley, Danny Bank, Phil Bodner and Romeo Penque
guitar: Barry Galbraith
harp: Janet Putman
lead vocals: Billie Vacation
orchestra: Ray Ellis and His Orchestra
piano: Mal Waldron
solo trombone: J.J. Johnson
trombone: Jack Green and Urbie Green
trumpet: Billy Butterfield, Mel Davis and Bernie Glow
viola: Richard Dickler and Sidney Brecher
violin: Milton Lomask, Harry Melnikoff, Harry Hoffman, Harry Katzman, Emanuel Green, George Ockner, Leo Kruczek and Sam Rand
drums (drum gear up): Osie Johnson
lyricist: Lorenz Hart
composer: Richard Rodgers

Look at yourself.
If you had the sense of humor,
Yous would express joy to beat out the band.

Look at yourself.
Do you still believe in rumor
that romance is simply grand?

Since yous took it correct
on the chin,
y'all accept lost that bright
toothpaste grin.

My mental state is all a jumble.
I sit around and sadly mumble.

Fools rush in, then here I am,
very glad to be unhappy.

Unrequited beloved's a bore,
and I've got it pretty bad.
Only for someone you admire,
it'southward a pleasance to be distressing

Like a straying baby lamb
with no mammy and no pappy,
I'm then unhappy,
but oh, so glad.

I'll Be Effectually

length: three:23
piano: Mal Waldron
guitar: Barry Galbraith
bass: Milt Hinton
trombone: Jack Green, Urbie Dark-green and J.J. Johnson
conductor: Ray Ellis
orchestra: Ray Ellis and His Orchestra
drums (pulsate set): Osie Johnson
lead vocals: Billie Holiday
background vocals: Elise Bretton and Miriam Workman
bass trombone: Tom Mitchell
cello: Maurice Brown and David Soyer
flute: Thomas Parshley, Danny Bank, Romeo Penque and Phil Bodner
harp: Janet Putman
trumpet: Mel Davis, Bernie Glow and Billy Butterfield
viola: Richard Dickler and Sidney Brecher
violin: Emanuel Green, George Ockner, Harry Hoffman, Harry Katzman, Harry Melnikoff, Leo Kruczek, Milton Lomask and Sam Rand

I'll be around no matter how you treat me now,
I'll exist around from now on.
Your latest love can never last,
And when information technology's past, I'll exist around when she's gone.

Farewell once more and if you notice a dear similar mine,
Just now and then driblet a line
To say you're feeling fine.
And when things become wrong,
Perchance you lot'll see you're meant for me,
So, I'll exist around when she's gone.

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